May22012

GO TELL YOUR MOM YOU LOVE HER!

With Mother’s Day coming up within a couple weeks, I wanted to bring up the topic of motherly love. We can experience Ekwefi’s distraught over her ogbanje curse and her 9 deceased children, so it’s easy to understand why she values her bond with Ezinma so much. They are extremely close, and actually act more like equals than they do like a mother and a daughter. We see that she is willing to disobey Chielo’s commands, and follows Ezinma regardless of the potential wrath of the gods. She knows that there might be consequences, but she vows to herself that she will rush into that cave if she hears Ezinma crying. She is willing to do anything for her child, and I think that sacrifice is admirable. We’ve see it in many other places (Hester in Scarlet Letter, Eva in Sula, etc.), and I think it is something we can identify with so much because it casts the mother in a positive (and yes, feminist) light—she is strong and brave, and willing to make dire sacrifices for her children if necessary. Even if we don’t classify ourselves as feminists, we tend to feel a sort of pride when we see a female character taking on such a strong role. Motherly love is something we really need to cherish, so make sure you reciprocate that love back to yo momma this Mother’s Day!

ALLIE

February132012
PARALLELS BETWEEN THE TEMPEST AND ROMEO AND JULIET
Posting this near Valentine’s Day, I think it would be appropriate to address the theme of love in the Tempest, specifically it’s relation to the young love we see in Romeo and Juliet. Like Romeo and Juliet, Miranda and Ferdinand fall in love at first sight. Despite their knowledge of each other, they are attracted to each other instantly and eventually proclaim that they are meant to be with each other for eternity. Similar to Romeo and Juliet, their love is blind to circumstance, social standing, etc. Ferdinand and Miranda secretly get married, just like how Romeo and Juliet intend to.  Despite their young age and little knowledge of each other, Ferdinand and Miranda fall in love at first sight, mirroring the young love displayed in Romeo and Juliet. 

ALLIE

PARALLELS BETWEEN THE TEMPEST AND ROMEO AND JULIET

Posting this near Valentine’s Day, I think it would be appropriate to address the theme of love in the Tempest, specifically it’s relation to the young love we see in Romeo and Juliet. Like Romeo and Juliet, Miranda and Ferdinand fall in love at first sight. Despite their knowledge of each other, they are attracted to each other instantly and eventually proclaim that they are meant to be with each other for eternity. Similar to Romeo and Juliet, their love is blind to circumstance, social standing, etc. Ferdinand and Miranda secretly get married, just like how Romeo and Juliet intend to.  Despite their young age and little knowledge of each other, Ferdinand and Miranda fall in love at first sight, mirroring the young love displayed in Romeo and Juliet. 

ALLIE

January242012
“All that time, all that time, I thought i was missing Jude.”

174

Nel finally realizes that she was never really missing her husband. She really missed Sula and the friendship they had.  This realization really shows the relationship Nel had with her husband and with Sula.  Nel and Sula’s relationship was obviously closer and stronger than her relationship with Jude.  It was “appropriate” for her to miss Jude because she was supposed to “love” him because he was her husband. She wasn’t supposed to miss Sula because Sula was the one who took him away.  I think that the gray ball that hung around Nel might have been this realization that she wasn’t sad because of her husband leaving, but because of Sula leaving.  She lost a friend who had been with her through everything form a young age.  That was real love.

January222012

Friendship

“I was good to you, Sula, why don’t that matter?” (year: 1940. paragraph: 70).

Sula and Nel had always been inseparable, but one thing split them apart for the rest of their lives. Sula has an affair with Nel’s husband, doing the most unforgivable of all deeds. Sula not only split the marriage, but split the friendship, the more important of the two, as well. Nel asks Sula why she would ever betray her in such a way, to take away one of the men they never shared, a man who was her possession. Nel wonders if their friendship ever mattered and confronts the ill Sula to ask her why she’d be her husband’s mistress. She scolds Sula, but Sula realized that Nel had changed from the girl she was before and does not give Nel a straight as to why she did what she had an affair with Jude. Their friendship is never mended and neither friend understands why the other did what they did. 

-Kai

December132011
Like Emma, the Greek and Roman god Eros (a.k.a Cupid) has dabbled in the area of matchmacking. As a young god, Eros can be seen aiming and shooting his arrow at a couple who he thinks would be perfect together. Eros is a god who establishes many relationships among mortals, and sometimes, those attempts get him into a huge amount of trouble. However as Cupid matures, he finds that he too can love. He discovers that though his matches seem flawless, he has not established one for himself. Eros is represented in Emma because she tries to set up relationships, though they fail, and does not see herself as relationship worthy. Through the book Emma matures and rather than focusing on others, she focuses on herself and her own love life.
-Kai

Like Emma, the Greek and Roman god Eros (a.k.a Cupid) has dabbled in the area of matchmacking. As a young god, Eros can be seen aiming and shooting his arrow at a couple who he thinks would be perfect together. Eros is a god who establishes many relationships among mortals, and sometimes, those attempts get him into a huge amount of trouble. However as Cupid matures, he finds that he too can love. He discovers that though his matches seem flawless, he has not established one for himself. Eros is represented in Emma because she tries to set up relationships, though they fail, and does not see herself as relationship worthy. Through the book Emma matures and rather than focusing on others, she focuses on herself and her own love life.

-Kai

December112011

“And this persuasion joined to all the rest, made her think that she must be a little in love with him, in spite of every previous determination against it” (190).

This is one of the first times in the novel that we see Emma really express and explore her own feelings of love towards Frank. As we discussed in class, Emma started out initially as self-absorbed, naive, and childish, focusing entirely on sticking her nose into everyone’s business. As the story progressed, however, we have now come to notice Emma’s subtle changes in behavior. After her failed “project” for Harriet and Mr. Elton, Emma’s attitude towards matchmaking began to change ever so slightly. She still thinks about the many potential matches and continues to judge the people in her community based on their status. However, at this point, we have gained a peak into the inner-workings of her personal emotions. At this point in the novel, Emma is in a transitional or growing stage.  She is still becoming more acquainted with her own emotions, as demonstrated in this quote, as well as in the beginning of Chapter 31 when she convinces herself that she is not in love at all. These fluctuating emotions demonstrate Emma’s growth while reminding us that Emma still has a long way to go. 

-Megan

November272011

“The first effort, and the worst, lay at her door. It was foolish, it was wrong, to take so active a part in bringing any two people together. It was adventuring too far, assuming too much, making light of what ought to be serious — a trick of what ought to be simple. She was quite concerned and ashamed, and resolve to do such things no more” (100).  

Taken-aback by Elton’s confession of love, Emma reflects on her actions and their affect on others. This is the first instance that Emma does any self-evaulation, marking her development as a character. Emma is able to admit her wrongdoing in trying to matchmake couples, and realizes that any existing relationship between Harriet and Elton is largely due to her manipulation. Saying that, “It was adventuring too far, assuming too much, making light of what ought to be serious — a trick of what ought to be simple,” Emma illustrates how courtship should be based on the pure affection between two people. However, her statement reeks of irony because in the case of the novel, relationships and marriage are largely based on wealth and status, as opposed to the impulses of true love. 

-Kelsey McCormick 

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