May92012

The Times They Are A-Changin     -Bob Dylan

This is a great song and I feel like it’s pretty relevant to what we’ve been reading in Things Fall Apart. I think the song is mainly talking about the changes going on in society in the sixties. That whole atmosphere of change -and acceptance (or lack thereof) of ‘the new’- is prominent in Things Fall Apart. We have begun reading about the effects of the white imperialists invading the Ibo tribes and the different reactions to it amongst the natives. There are the people like Nwoye and the efulefu (outcasts) who embrace these new ideals. However, those who want to maintain the traditional lifestyle of their tribe -like Okonkwo- are vehemently opposed to theses changes.
While Dylan offers the sense that these new ‘changes’ are actually beneficial to the bigger picture (but to the readers of Things Fall Apart, the invasion of the entitled white people seems like something that should not be accepted), we see that attitudes differ in the eye of the beholder.

Also, the line “And don’t criticize what you can’t understand” is a fitting lesson that can be learned from this book. Things Fall Apart (and Heart of Darkness) is filled with beliefs being forced on others and a lack of understanding of different cultures. This rings true with the line “what is good among one people is an abomination with others” (pg 141). People believe there must be a “right” and “wrong” culture and religion, when in reality, people should accept change while holding onto their own values in order to exist harmoniously.

Thoughts :)?

-Annsley

May82012

Cover Art

In my edition of Things Fall Apart I see this lovely cover art:
 

There is a dark-skinned head that is upside down on a contrasting white background and an orange stripe on the bottom. The cover is also made to look like it is original and handmade, as if to be like no other. The originality of the cover shows that Achebe’s story is not like any other. The upside-down head shows that things fall apart in the book and SPOILER ALERT: that Okonkwo’s life is turned completely around so much that he takes his own life. END SPOILER! The handmade look to the cover emphasizes the culture Umuofia and shows even more originality. Things Fall Apart is a genuinely unique story and that uniqueness is shown by the cover art and the writing.

-Kai

May62012

Questioning Society: Disastrous or Healthy?

“Now he has won our borthers, and our clan can no longer act like one. He has put a knife on the things that held us together and we have fallen apart” (176).

I was intrigued by this statement that Obierika makes to Okonkwo. As I thought about it, I realized that the whole Ibo (Igbo) tribe was held together by their common beliefs in the religion and traditions if their tribe. Now that the white men have come into the Ibo tribe and forced many to begin questioning the traditions and religion of the tribe, the tribe is now “falling apart.” I have conflicting views about this notion, because I feel that it is a good thing to question society/authority, but at the same time, in this instance questioning society/culture has led to the unraveling of the Ibo tribe. Any thoughts?

COURTNEY

May42012

I wanted to address the song they sing when a woman dies on page 135:

“‘For whom is it well, for whom is it well?

There is no one for whom it is well.’”

We talked a lot in class today about the different views on women and the idea of the woman being valued as a mother and being the cornerstone of the family and being a nurturing figure. We saw a lot of this in Uchendu’s speech to Okonkwo: “when there is sorrow and bitterness [a man] finds refuge in his motherland. your mother is there to protect you… mother is supreme.” (134) I think the song really ties into this idea because it is sung when a woman dies, not when a man dies. With the phrase “there is no one for whom it is well” it suggests a sort of communal suffering. In the context of this being used as a lesson for Okonkwo to stop moping around the phrase can be taken to mean that everyone is suffering in some capacity so don’t mope around because everyone is dealing with something that is difficult for them. In a community context the song provides further evidence for why mother is so supreme. It suggests that when a woman dies everyone mourns and it is a huge loss that is not felt by just a single person. The interrogative syntax of the first line of the song as well as the repetition of “for whom is it well” further emphasizes that there really isn’t anyone who doesn’t suffer from the death of a woman. This provides a lens for us to see that the Ibo people clearly value women a lot more so than we initially saw with the frequent beating of women.

-Ashley

May12012

Nigerian Traditions

As we read through the lovely novel Things Fall Apart by Chinua Achebe I have come to realize that though we, as a class, may have some idea of what the Nigerian drum beats and trials are, our ideas may be foggy. So I did some searching and found the musically talented people of Nigeria singing, dancing, reenacting, and drumming to the tradition of the Nigerian culture. So F Block English and followers here is one of many Nigerian traditions.

-Kai

Yorùbá Bàtá: A Living Drum and Dance Tradition From Nigeria

April272012

“Even Okonkwo himself became very fond of the boy- inwardly of couse. Okonkwo never showed any emotion openly, unless it be the emotion of anger. To show affection was a sign of weakness; the only thing worth demonstrating was strength.” (Achebe 28)

We discussed a lot in class today about the idea of weakness and what constitutes weakness. I think an interesting point that came up which spawned from this was that of there being two different ideas of weakness in the book. From an outside perspective the reader can see that Okonkwo internalizing all his emotions can’t possibly end up positively. I would argue that in the way he lashes out at his wives and even beats them is a demonstration of how he expresses all of his suppressed emotions. Okonkwo’s desire to suppress his emotions also comes from his fear of weakness, and that definition of weakness is based on everything that his father, Unoka, was. But driven by this fear of weakness, Okonkwo seems to have developed an obsession with stereotypical masculinity: strong and a leader of his house. What Okonkwo fails to realize, however, is that sometimes emotion can be seen as strength. For example, no one would’ve judged him if he had stayed home and not gone into the forest for when Ikemefuna was being killed. But no, he had to be all masculine so instead in a frenzied moment of showing his “strength” and ends up giving Ikemefuna the last blow instead. In that moment he had to chose between acting out of his love for Ikemefuna and his fear of appearing weak and he acted out of fear. To me, there is nothing weaker than basing one’s actions on fear rather than on rational moral principles. Another example where Okonkwo’s refusal to show emotion comes up is when he fails to admit the guilt he felt at breaking peace week after visiting the Oracle. As a result, people didn’t think as highly of him because they thought he disrespected the Gods. Supressing one’s emotions and acting out of a fear for appearing weak do nothing to reveal that Okonkwo is truly strong, they instead suggest the exact opposite. Thus, although Okonkwo tries so hard to appear strong, to the readers he appears quite weak and even pathetic.

-Ashley

April262012

Parents

This is a clip from the movie The Breakfast Club. It’s an awesome movie, which I’m sure a lot of you have seen - but if you haven’t - it’s basically about a group of high school students who all get Saturday detention. They realize that even though they all come from different social circles, they are more than what they appear to be. (“We’re all pretty bizarre. Some of us are just better at hiding it, that’s all.”) (*it’s a great clip, but the main part I’m talking about is around 2:20 :)

This particular clip came to mind when reading Things Fall Apart. It seems to be a universal fear to become like our parents, and therefore, a universal goal to be nothing like them. However, Okonkwo seems to take this notion a little deeper than most. “…his whole life was dominated by fear, the fear of failure and of weakness…It was not external but lay deep within himself. It was the fear of himself, lest he should be found to resemble his father. Even as a little boy he had resented his father’s failure and weakness…And so Okonkwo was ruled by one passion—to hate everything that his father Unoka had loved,” (13). It is also made clear that his father and the townspeople’s attitude toward Unoka deeply humiliated Okonkwo. Therefore, he has based his entire existence upon being the opposite of his father. 
This seems to be a trend in the books we have read. In Song of Solomon, Milkman also tried to ensure that he would be nothing like his father. Every action and thought were dictated by this fear…or desire..however you look at it. 
Then, in Sula, Nel mentions that she never wants to be like her mother. Though, the slight differentiation we can make is that Nel really wants to be her own person. And finally, even Nel’s mother makes it clear that she doesn’t want to be like her mother!
This concept is continuously brought up probably because it hits home for most people. And it’s important to note how powerful fear/desire can be, especially this one. It can dictate who you become.

But as Allison says “It’s unavoidable. It just happens…”
Thoughts :)?… 

-Annsley 

April222012

In his critical essay on Heart of Darkness, the author Chinua Achebe mentions how artists like Picasso and Matisse were fascinated by the masks of the Fang people. These artists, well on their way to introducing the European art scene to cubism, were of the same era as Joseph Conrad, but unlike the latter, they channeled their fascination with African art to a wholly positive and original cause; while African influence is stylistically present in cubist works, the artists themselves did not obviously depict any of their opinions on African culture.

In looking at how the cubists of the early 1900s graciously borrowed from African art, and comparing this with Conrad’s handling of his own observations of Africa, I am inclined to agree with Achebe - that Conrad seems to not borrow from and therefore admire African culture, but he seems to steal from African culture, and pawn it off as a setting for his novel that  is deep down only a novel about chaos and despair, that happens to use Africa and its people as a background.

_Mikhaila

Page 1 of 1